Fincas, cliffside villas, Tramuntana estates and production-ready hotels across the island. Hand-scouted film locations with owners who’ve hosted commercials, features and long-form — backed by a local team that handles ayuntamiento permits, crew logistics and Spain’s 30% rebate paperwork.
Lovely Locations is a location agency built around film and commercial production on the Balearics. Every address on this shortlist has been walked by our scouts — power checked, truck access measured, natural-light windows documented morning and afternoon, and the owner briefed on what a real crew day looks like from 5am call to 10pm wrap.
The brief for film is different from stills. You need consistency across setups, a workable generator lay-down when single-phase domestic power can’t carry the rig, a catering zone that isn’t in-frame, and owners who don’t panic when the grip truck arrives. Where public-space shots enter the call sheet — old-town Palma, a Sóller cove, a Tramuntana pass — we coordinate the ayuntamiento permit and the Demarcación de Costas coastal paperwork in parallel.
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Stone fincas, vineyards, olive groves and clastra courtyards across the island’s centre and south. The typical base for a multi-day film unit — space for grip and lighting, a genset corner, crew sleeping rooms and interior sets that already look dressed.
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Architect-led cliffside villas over Port d’Andratx, modern Moscari estates, historic Deià retreats. Clean interiors, pool geometry, sea-view terraces and rooftops — for treatments leaning modern, high-end, or overtly cinematic in their framing.
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UNESCO-listed Tramuntana stone houses, former monasteries, beachfront hotels and specialty spaces. Where a story needs mountain, water, or a historic patina the rest of the roster doesn’t carry — with the permit notes to match.
Explore specialty locations →International productions can recover up to 30% on the first €1M of qualifying Spanish spend and 25% on the remainder, under Article 36.2 of Spain’s corporate tax law. Balearic shoots route through this framework via a local production partner.
Tramuntana mountains, Pollensa and Alcudia bays, Andratx cliffs, and Palma’s gothic old town all sit within ninety minutes of each other. A single call sheet can cover mountain, sea, architecture and countryside with one crew base.
Every municipality runs its own filming process — Palma, Calvià , Sóller, Pollensa, SantanyÃ, Andratx. Standard municipal permits clear in roughly 15 working days; Tramuntana nature sites and heritage buildings sit closer to 30–45. We file where we know the system.
Every location here has hosted film or commercial crews before. Tripods indoors, grip trucks at dawn, wardrobe in the guest suite, 5am call times — the operational conversations are already had. No mid-shoot rule changes, no “we didn’t realise”.
We shortlist against real bedroom counts, power capacity, parking, truck turning radius and catering footprint — not marketing copy. Small content trips sleep on-location; larger productions get main-unit base plus hotel overflow inside a 20-minute transfer.
Palma is two hours from London, Berlin, Paris and Zurich. The island has an established local-crew pool — grip, gaffer, camera, art — plus the Mallorca Film Commission’s network. Shipping kit and parachuting department heads works without friction.
Mallorca doesn’t have a single island-wide filming permit. Each municipality — Palma, Calvià , Andratx, Sóller, Deià , Pollensa, Santanyà and the rest — runs its own process, fee structure and response window. Standard private-property shoots tend to clear inside fifteen working days; Tramuntana nature sites, heritage-listed buildings and public-space work with road closures sit closer to thirty to forty-five days. Beach scenes fall under the Demarcación de Costas coastal authority plus the local ayuntamiento, which layers the process further. Drones need separate aviation paperwork. We handle filings where we know the system, and flag permit risk against your shoot window before the location is locked, not after.
Productions filming in the Balearics qualify for Spain’s national film incentive under Article 36.2 of the Corporate Income Tax Act — up to 30% on the first one million euros of eligible Spanish spend, then 25% on the remainder, with a cap of twenty million per project and per episode. Qualifying costs include local crew, local services, local post-production and Spanish-resident department heads. The rebate requires a Spanish-registered production service company, a minimum spend floor, and correct VAT treatment. We coordinate with local partners on the rebate paperwork so the numbers land in the budget rather than being lost to admin drag.
Our roster scales from eight-person creator units up to forty-plus crew commercial productions. The honest limiter is usually power, parking and the catering footprint, not headcount on paper. Most large fincas and villas run single-phase domestic power and need a generator for lighting rigs of any real size; we confirm genset lay-down space, cable routes and the catering truck turning radius on the recce. Crew sleep on-site at our shoot-and-stay fincas — typically six to thirty in bedrooms — with the main unit base, hair-and-make-up suite, wardrobe room and art department room all inside the property line. Anything larger pairs the location with hotel overflow inside a twenty-minute transfer.
May, June, September and early October are the producer sweet spot: stable Mediterranean light, workable golden-hour windows at civilised call times, all locations open, and rates roughly 25–40% below July–August peak. Peak summer means heat that punishes wardrobe, hair-and-make-up and continuity, along with slower permit response and crowded beaches. Winter shoots well for interior-heavy treatments — Tramuntana fincas with open fireplaces, directional low-sun light, empty Palma streets — and owners often negotiate on midweek day rates. Plan a weather cover day into the schedule regardless of month; the Tramuntana gets weather even when the coast doesn’t.
Send us the treatment, a date window and crew size. We’ll come back inside 24 hours with three to five film locations that fit — availability-checked, with real photos, owner notes, power and access detail, and an honest read on permit and logistics risk against your dates. The shortlist is free; agency coordination is priced separately if you want us to run the full production layer alongside a local partner.
Each Mallorcan municipality — Palma, Calvià , Andratx, Sóller, Pollensa, Santanyà and the rest — runs its own filming permit process. Standard private-property shoots tend to clear in around fifteen working days; Tramuntana nature sites, heritage buildings, public streets and beaches can run thirty to forty-five days. Only Spanish-registered companies can apply, and drones require separate aviation paperwork. We coordinate filings locally and flag permit risk against your shoot dates before the location is locked.
Yes — Balearic shoots qualify under Spain’s national incentive (Article 36.2 of the Corporate Income Tax Act). International productions can recover up to 30% on the first one million euros of qualifying Spanish spend and 25% on the remainder, capped at twenty million per project or episode. You need a Spanish-registered production service company, a minimum spend threshold, and clean VAT treatment. We work alongside local partners who run the rebate paperwork end-to-end.
The Serra de Tramuntana is a UNESCO World Heritage Cultural Landscape, which means filming permissions run through both the relevant municipality and the island’s heritage authority. Timelines are longer — plan for thirty to forty-five days minimum — and certain restrictions apply on drone use, vehicle access and crew footprint inside protected zones. We shortlist Tramuntana locations like Finca Son Ru in Deià against the likelihood of getting a permit inside your window.
Varies by property, which is why we document it. Larger fincas and villas usually run single-phase domestic power, so a lighting rig beyond a modest interview package needs a genset — we confirm generator lay-down space, cable routes and catering-truck turning radius on the recce. Hotel and Palma palace properties accept crew loading at specified hours. Every shortlist we send includes a technical note covering power, access, parking and unit-van footprint against your rider.
Yes, most Mallorcan beaches are filmable, but they sit under the Demarcación de Costas coastal authority as well as the local ayuntamiento — so the permit process adds a layer. Small handheld editorial with a two-person crew often clears quickly; full productions with grip trucks, lighting, wardrobe tents and catering need a formal permit, public-liability insurance and an island-registered partner. Lead time can be meaningful in peak months; we flag it early and recommend private coves and member-run beachfront properties where timing is tight.
Yes — this is the shoot-and-stay format, and most producers prefer it. Many of our fincas and villas sleep six to thirty crew in bedrooms, so hair-and-make-up take one guest suite, wardrobe takes another, art department uses a third, and the producer doesn’t run a shuttle twice a day. For larger productions we pair the main-unit location with nearby hotel overflow inside a twenty-minute transfer window — typically Palma boutique hotels or Illetas and Andratx properties depending on the base camp.
Send a treatment or mood-board images, your date window, crew size and any non-negotiables — pool, sea view, Tramuntana, historic patina, drone-permit sensitivity, minimum-interior square metres. We come back within twenty-four hours with three to five film locations — availability-checked, with real photos, owner notes, permit and power detail, and an honest read on logistics risk for your brief. The shortlist is free; agency coordination is priced transparently if you want us to run the full production layer.
